Slipstream
2025
Oil on canvas, stainless steel engraved frame
61 × 83 × 4 cm

Natalie Sasi Organ does not merely depict memory—she dissects it. Rooted in her lived navigation between Thai and British worlds as a biracial woman, her work interrogates the fractures within personal and cultural historiography. In Slipstream, she constructs intimate interiors not as static spaces, but as palimpsests: layered, unstable, haunted by the ghosts of half-remembered moments and unspoken tensions.

Familiar domestic details—curtains that breathe like skin, chandeliers suspended mid-flicker—are arranged into composite scenes where time collapses and geography blurs. These are not still lifes; they are psychological landscapes. The organic patterns of fabric and the rigid geometry of light fixtures drift in and out of sync, mirroring the liminal space Sasi Organ inhabits—a threshold between cultures, languages, and selves.

Her practice is one of deliberate reassembly: gathering fragments of the overlooked, the ephemeral, the almost-forgotten, and recontextualizing them as acts of quiet resistance. In doing so, she challenges the myth of singular identity, exposing instead the beautiful, destabilizing complexity of hybridity—the “in-betweens” where truth, ambiguity, and belonging coexist.