Soft Forgetting 
sangheeut
2025


sangheeut presents the group exhibition Soft Forgetting from July 3 to August 2, featuring works by Kurt
Fritsche (b. 1995, Germany), Natalie Sasi Organ (b. 1999, Thailand), and Minyoung Won (b. 2000,
Korea). This exhibition explores the complex and layered nature of memory—how it can both haunt us
and quietly fade away—and explores the uncertain moments in between through each artist’s unique
perspective and approach. The three artists reflect on the repeated choices of what to hold onto and what
to let go, revealing new possibilities that emerge in the delicate space between forgetting and
remembering.


Natalie Sasi Organ investigates fragmented histories that have been overlooked or excluded from dominant narratives, revealing layered memories shaped by overlapping eras, geographies, and cultural inheritances. Rooted in her personal identity and surroundings, her work intertwines archival traces and speculative mythologies across generations and locations, emphasizing that history and memory are rarely clear-cut—they are often ambiguous, intertwined, and unresolved. For this exhibition, Sasi Orga presents new installations and paintings that explore collective memory, familial relationships, origins, and animist belief systems. Using materials such as stainless steel frames, text, chainmail, and engravings, each piece visually evokes memories and stands as an independent fragment, while collectively forming a fractured narrative. At the heart of this body of work is a deeply personal investigation of my relationship with my mother—born under the signs of the Rabbit (me) and Horse (her)—and their symbolic associations with fertility, femininity, and migration. These contrasting figures serve as metaphors for generational difference, embodying dualities of stillness and motion, intuition and endurance. Through them, Sasi Organ contemplates inherited memory and the possibility of reconciliation across time. The spaces in which familial memories are held, and the shifting roles within those spaces, reflect the artist’s engagement with postcolonial theory; certain sites that have nurtured this bond—spaces imbued with shared recollections and evolving roles within her matriarchal family. By weaving together mythology, memory, and place, she creates narrative threads that explore how bonds between generations are formed and sustained.


 
Artists’ Conversations on sangheeut’s website







Beginning are such Delicate Times
2025
UV Print, glass, stainless steel frame, chainmail loops, jade
61x61x180cm








Palms together
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Oil on primed artist board, varnished, engraved stainless steel miller frame, moonstone gems
23.5 x 17.5 x 3.5 cm








One by One
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Oil on primed artist board, varnished, engraved stainless steel miller frame, moonstone gems
23.5 x 17.5 x 3.5 cm